'Permissible - though an
indication of laziness - in conversation, nice is to be avoided in serious
writing <Eric Partridge, 1957).
Henry Tilney, the
hero of Jane Austen's novel Northanger Abbey (1818),
has criticised Miss Catherine Norland for describing
a book as 'nice':
'I am sure,' cried
Catherine, 'I did not mean to say anything wrong;
but it is a nice book, and
why should not I call it so?'
'Very true,' said Henry, ' and this is a very nice day, and we are taking a very nice walk, and you are two very nice young ladies. Oh! it is a very nice word indeed! — it does
for everything.
Originally perhaps it was applied only to express neatness,
propriety, delicacy, or refinement; - people were nice in their dress, in
their sentiments, or their choice. But now every commendation on every
subject is comprised in that one word.'
'While, in fact,' cried his sister, 'it ought only to be applied to you, without any commendation at all. You are more nice than wise. Come, Miss Morland,
let us leave him to meditate aver our faults in the utmost propriety of diction...'
Intensifiers
Intensifying adjectives and
adverbs should not be overused! Many colloquial
intensifiers are vulgar:
blasted bleeding
bloody sodding (all British) goddam (American) damn damned
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